So, this is called thung-mong it means the teaching is for all sentient beings, not only human beings or monasteries of monks and nuns. Because animals have their own way of communicating and making things understood, that is like a language, etc. Buddha manifested in that way because if even we human beings cannot understand well the dharmakaya, sambhogakaya, or nirmanakaya manifestations, how can animals understand them? But if you are a small ant or a monkey and a teacher becomes a small monkey or an ant, it is much easier to communicate. That’s why, for example, in the biography and history of Buddha, it is said that Buddha manifested sometimes like a bird, sometimes a fish, etc. It is not only for human beings, but also for animals, if they can understand, but animals cannot understand easily. What does thung-mong mean? Thung-mong means, for example, that the teaching of Buddha is for all sentient beings. I want to explain this morning one of the most important aspect of the teaching is when we say thung-mong and thung-min these are two words I wrote here. We should always pay respect to the transmission. So, it is not really the main point, but it is related with transmission.
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Even if you have not learned how to discover your real nature, at least you should have learned after many years how we do practice. We have done these practices for thirty years and forty years. That’s why when we are doing practice, for example, like the Ganapuja, I don’t like it when someone else is leading and I am following because I get nervous. So, when we are following any kind of teaching, when you change and modify it, it doesn’t work because it’s related with transmission. I try to do my best to sing how I learned and I apply in that way and I also teach my students that way. Most of the melodies that we use in practices, I learned mostly in my dreams. This is not the correct way because I have never heard that we change the tone in the middle. For example in the thun you start with “Aaaa”, and then you continue with this melody, not “Aaa” or “Aaaa”. That means you have changed the tone somehow. When you are finishing “RA RA RA” etc., you are all lower.
For example, when we are doing Ati Guruyoga, I start “Ema…”, with this tone. We should not change after a little while. When we do a practice, for example, like the thun, at least Guruyoga, the way we start with the melody is how we should continue. (Explanation of how important and indispensable the teaching of Thung-mong is in our relative condition, and how we start with the Refuge, cultivating Bodhicitta and so on.)
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